Last.fm is a website that can keep track of users and their listening habits. I’ve been listening to music with Last.fm since 2010 and am slightly obsessive over my music stats. These stats are for my listening from the past week.
My week for October 5, 2018 to October 12, 2018
Top 10 Artists
It’s no surprise that Coheed and Cambria has been pretty much all that I’ve been listening to. With their album Vaxis I: The Unheavenly Creatures coming out and seeing them live in concert, I’ve just been falling in love with them all over again. The other artists in my top ten I’ve been listening to a lot as well.
Erkan is a person I’ve met on Last.fm and he composes his own music. It’s highly experimental and really intriguing. I do enjoy checking his works out. They’re not very melodic and I put emphasis on experimental aspect. It’s definitely something different.
Top 10 Albums
Wow, who knew? Listening to Coheed and Cambria means that most of my top albums for this week is also Coheed and Cambria! I have been listening to Vaxis I on literal repeat. It is such a good album.
Top 10 Songs
The Gutter just might be song of the year. I am in love with it. I am currently fighting the urge to not put it on right now. In fact, I asked one of my friends to recommend me some music because I just can’t continue to listening Coheed and Cambria almost exclusively.
DISCLAIMER: This is a reaction blog post which is mostly incoherent rambling and (you guessed it) real-time reactions to the songs. This is not a review.
The last time I did an album reaction was back in 2012. Surprisingly (or not surprisingly), the last album reaction I did was to Coheed and Cambria’s The Afterman: Ascension. It’s fitting that the next album reaction is also Coheed and Cambria. With Ascension, my love for Coheed rekindled and with Unheavenly Creatures, I can see my love for Coheed rekindling for the second time.
I saw Coheed and Cambria live a couple of weeks ago and I’ve been following their singles pretty closely. The singles off this album are all pretty legit. Like most Coheed songs, it took me a while to get used to the singles but they still got me pretty excited about the album.
Because I’ve sacrificed my soul to Spotify, I streamed the album. I had work the day the album was released and at work, some people were talking about the album already. I debated listening to the album while working but no, I wanted to dedicate a solid hour of my undivided attention to this album. And I’m glad I did!
I really like the prologue. I’ve gotten used to the piano bit from the singles and what not. I love how the music builds behind the narrator. It really does transition nicely into The Dark Sentencer.
The Dark Sentencer
Somehow, because of the prologue, this song sounds even more epic than it usually sounds. I love the beginning riff. I can’t really say much about this one because I’ve been listening to it for quite a while now. It’s a good heavy song which I enjoy. I know some people enjoy Coheed’s heavier stuff and while I do relish those heavy tracks, I don’t mind it when they depart from it.
Looking at the lyrics now, I never paid much attention to the bridge where Claudio’s voice has some sort of effect applied to it. It sounds like a robot but layered so not quite like autotune. I actually like it.
A place where the blind truly can seeHear my voice, dearly departed, I beg on my knees
Interesting how the next song is another previously released track. It definitely jumped straight into Unheavenly Creatures without any sort of reprieve from The Dark Sentence. I do enjoy the synth sci-fi sounds in the background. I can probably see why when I saw Coheed and Cambria live, Claudio didn’t bust out his guitar for this song. It’s definitely not guitar heavy, or, at the very least, it’s not the highlight of the song. It’s definitely a poppier song. I’m down with pop so I enjoy it.
So run, run, run, run like a son of a gun
Interestingly named. The intro to this song is very interesting. Wow. Immediate guitar chord. Claudio sounds like an angel. He’s really going up into that falsetto. But I love those guitar chords. Sounds very rock opera-like. It’s funny but once the guitars really kicked in, I was reminded of Green Day.
They seem to really like the build-up before the chorus.
One of my friends said that Coheed is really going “Queen” as in theatrical. I could see it.
I think this song might be lacking lyrically, unfortunately. No lines really stand out to me, yet. But I do find myself bopping my head to it. For some reason, I think “knees” might be the most used word in their lyrics.
It’s kinda sad but I’m resisting the urge to click to the next song. It seems really poppy, which I don’t mind. But I feel like it’s lacking. This song drags out a bit which is ironic because:
Oh can’t you see, you’re dragging me
Also. Fade out. Nice.
Oh this starts out pretty promising. I love it when Coheed gets all sinister. Claudio is doing some good vocal stuff in here. The guitar is on point in this one. I love the random sounding licks in the background. Very chaotic. Oof, more power rock-opera elements.
I wouldn’t call this track heavy but it’s definitely rock.
W O W. I enjoy the “Black Sunday” chant. I can see this being great to hear live.
Oh man, they busted out the military-like snare drum. Really reminds me of My Chemical Romance in a way.
The outro is nice.
Black Sunday, Black Sunday
Queen of the Dark
This sounds like a ballad. It starts off with some scarce piano. Then the guitar, drums, and Claudio come in. Definitely not a ballad.
I don’t know how I feel about this song. It feels like exposition to me. There’s a lot of repetition in this song. I feel like chanting two songs in a row is a bit excessive.
It has an interesting outro though. Some cool guitar effects. And then another kind of fade out. It doesn’t actually fade out.
All hurt in time gets better
Hard hitting. There’s some clapping in this song. Interesting. High energy. I like. This song definitely has a more upbeat tempo. Oh shit. Claudio is doing some semi-scream thing and I dig it a lot. Claudio is definitely blab-singing (I have no idea how to describe it) but it’s really interesting. Sounds really happy go lucky in the middle of a song like this.
I like this song. It deviates a little more from what I expected. It’s a good mix of pop and prog. Sometimes I notice that there are points that seem to drag a bit. The difference is really noticeable in this song.
And another fade out.
Break, break, breaking upBreak, break, break,follow meCan, can, can you hear me?
And another immediate transition! The guitar sounds familiar. I wonder if it mirrors the prologue motif. This song’s like another cheesy Here to Mars type song. A typical love song. But some of the lines really catch me. I also love the name of this song. Are there any protocols to love?
Oh, I can be your dancerThe one you set within your sightsWhen I admit surrenderThen maybe goodbye will turn to goodnight
The Pavillion (A Long Way Back)
Y E S. I love titles with parentheses in them. This is another rock-opera sounding song. Maybe another ballad too? Not sure how I feel about the song itself though. Coheed is really channeling their inner Green Day/Queen/I don’t really know what to compare them to.
Goodbye for now
Hmmm. Zombies are my first thought.
Okay. The intro is hella cool. I love the sci-fi space effects they’re using on this album.
Ah. Another power ballad love song. Why is this album so cheesy? Could do with the fact that the two characters are a couple… It’s right there in the album cover. I don’t know why I thought different, haha.
The Claudio robot comes back. I really like it. But I don’t understand a single thing. But it’s good.
The thing about this though is that the power chords just slow this song down so much. It does that for a lot of songs. It makes sense here but I’m getting fatigued by it.
I don’t wanna see you, I don’t wanna believe you’re hereBut it’s too hard not to when your songs I hear
They love their hard cuts to the next song. The Gutter sounds really good in the context of the album.
Okay, I really love The Gutter. I love the pseudo screamy bits. Claudio’s enunciation of “gutter” is perfect. This is probably my favourite song on the record. I would have been really happy to hear this song live in concert.
On a close listen, I can hear the orchestra in the background which is nice. I don’t know how I never noticed it. It’s pretty good right now. ALSO. Claudio laughing like an evil dude. He does it so well.
Now if I had my wayI would leave you here to waste your final days
All On Fire
Okay I am gutted (haha) that The Gutter does not go to Old Flames. But this song has a piano intro which kinda makes up for it. Oooh this song sounds like a throwback. Hm. I also don’t know how I feel about this song. I think this is definitely a grower. I could also see some of these lyrics becoming memes among the fandom. “Please bring water” x3. Amazing.
Come slither, you snake, please bring me backTo when life was wonderful
It Walks Among Us
Another zombie sounding title. I love the intro effects. It sounds like clockwork. And the opening riff is some good stuff. Good synths too. More power chords. I. Think I like this. I’m only a verse into it. I see a trend. I really like the sinister songs. When Claudio gets all kinda angry, haha. Not sure about the mixing on Claudio’s voice in some parts though.
This song has some really good lines. I changed my most liked lines like three times. It’s hard to pick.
Okay. Yeah. This is a good song.
Infected, don’t provoke ‘emFeel free to cock and load ‘em
Hearing these songs in the context of the album make me appreciate them a lot.
When the music video of this came out I was little apprehensive. They have a lot of interesting music videos but they never really jive with me. So when they brought out synchronized dance numbers, I was a little weirded out. It makes sense though.
Ah. I love this song! I’m so torn between this song and The Gutter as my favourite song from the album. I’m not sure if it’s because it’s so poppy that I like it. The outro is also really good. It somehow fits the song. Going out with a bang and then revelling the last peaceful moments.
“Are you ready?”“As the day we met.”“You’re adorable.”
The closer. I am heavy in anticipation.
Ooh, an acoustic guitar. Interesting. Another ballad? This is a true ballad, however. I remember reading somewhere about how some people were hoping it wouldn’t end on a ballad. I do prefer ending out with a bang but Old Flames kind of fills that need. This might be another Wake Up for me. Way too cheesy but I’ll end up memorizing the lyrics and singing along to it in concert.
This could be the biggest mistake we make in this lifeChasing as we tried to compete for each other’s time
So I’m slightly disappointed this isn’t an immediate “wow I just fell in love with every single song” record like The Afterman: Ascension was. I might have just been riding the hype of the singles and the concert. I felt the urge to skip a couple songs. There are some songs I already know I like but the others… They might have to grow on me. But I think it’s a pretty good mix. I liked 9 out of the 15 songs (including Prologue). I think that’s a good ratio especially for a first listen.
Disclaimer: This is not a concert review and really is just me rambling about a band I like
Last Saturday, I went to go see Coheed and Cambria live. Coheed and Cambria is a progressive rock band. Prog rock is a genre that’s hard to define without hearing it. The way I see it, prog rock is definitely a more artsy genre. It’s usually complex musically and lyrically incorporating several genres such as jazz and pop but still maintaining an aggressive and heavy rock sound.
Coheed loves their concept albums. Most of their albums follow a storyline, called The Armory Wars. I don’t really pay much attention to it (you will learn that I’m a bad Coheed and Cambria fan) but it is extensive. It’s a science fiction concept and they’ve even made comics based on them.
I’ve been listening to Coheed and Cambria ever since the days of Rock Band. Everyone knows (or everyone should know) Welcome Home, which was one of the playable songs from Rock Band.
I was a shut-in as a kid and I remember meeting other people online and talked to them about Coheed and Cambria. I distinctly remember my friend sending me a WinRAR file of one of their albums via MSN. With that same friend, we would write fanfiction based on Coheed and Cambria songs and post them online. This was around 2010.
2012 and 2013 were prime years for me listening to Coheed and Cambria. I’ve been keeping track of the songs I’ve been listening to on Last.fm ever since 2011 and I have a lot of data on my listening habits. In 2012, they released their album, The Afterman: Ascension. It was a really great album and it remains one of my favourite albums of all time. In fact, I even wrote a reaction blog post back in 2012 (it’s really cringy when I read it now).
After that, I kinda stopped keeping up with them. Their follow up albums didn’t really grab my attention although there were a couple of singles here and there that I did like.
I mainly just listened to three albums on repeat: The Afterman: Ascension, Good Apollo, I’m Burning Star IV Vol 1, and Good Apollo, I’m Burning Star IV Vol 2. In 2013, The Afterman: Descension came out and I listened to it once or twice before writing it off. Also in 2015, I started using Spotify. It was great to listen to the rest of their discography without the guilt of listening to it “for free.”
Just to hammer the point even further, here is a better representation of the albums I listened to the past seven years.
94% of all songs that I listen to Coheed and Cambria come from three albums. It’s kinda crazy to think about. I’ve tried to listen to other albums in the past and they never stuck with me. Some of the albums don’t have great production which really turned me off. Which is a shame because now that I’ve revisited more of their albums, there are a lot of great songs hidden there.
However, I think the real reason why my listening count is so skewed to these albums is because I love putting individual songs on repeat.
Apollo I: The Writing Writer is a song that really spoke to me back then. I can’t for the life of me remember why. Nowadays, I love it purely because of how good it sounds as a song. The lyrics don’t resonate with me as much anymore. This song is really sinister but it’s a great song to sing to.
When I first listened to Key Entity Extraction IV: Evagria the Faithful, it quickly became my favourite song on The Afterman: Ascension and my favourite Coheed and Cambria song in general. This was another case of relatable lyrics. I’m taking this out of context of The Armory Wars but I saw this as a song about someone who is too good that one could not possibly be with that person. I wish she’d stay mine, but her place is in some other time. Man, that still makes me nod sadly every time.
Anyway, I could talk forever about the rest of the songs but Apollo I: The Writing Writer and Key Entity Extraction IV: Evagria the Faithful remain as my favourite Coheed and Cambria songs.
Despite not knowing most of their discography, I just knew I had to go see Coheed and Cambria live.
I follow the band on Facebook and when I saw that they posted tour dates, I immediately went to look. I was seriously in disbelief that they were coming to Calgary. I don’t know why I was so surprised, they’ve been to Calgary a couple times but I’ve missed every single one of them until now.
I bought the tickets super in advance, the day they come out back in June. I posted on social media asking if anyone liked Coheed and Cambria enough to go see them with me but no bites. The only people who responded were my friends from England and Australia. Of course. But since most of my friends are unemployed broke university students, I didn’t feel like pestering any of them to go to a $50 concert with me.
Pro tip if you bought general admission and not VIP: don’t go to the concert super early. I made that mistake. VIP/Gold/Platinum ticket holders were all lined up around two hours before the concert but they didn’t start forming the regular line until around an hour before doors opened. I could have shelled out the extra money to see that one extra song and all the other perks but the concept seemed really ridiculous to me. Looking back on it now, maybe it would have been worth it. I love Coheed and Cambria enough that I should probably give them more of my money.
Also my phone ran out of battery like an hour before the concert started and I only took a picture of the sign. I’m slightly salty that I didn’t check if my power bank was charged first before taking it with me.
Anyway, once I got in there, I immediately went for the merch table. I instantly got flashbacks to my first concert which was My Chemical Romance at the very same venue. I bought a sweater that had Unheavenly Creatures on the back of it. I kinda wish I got a tour shirt instead but I was nervous at the last second and I didn’t know how to say that so I just asked for the easiest thing: the sweater.
After I got the sweater, I had no idea where to go to get inside. It turned out they opened the entrances on the side. The hall was split off into two halves: the beer gardens and the non-beer gardens half. At first I thought the whole thing was age-gated and for some reason, even though I am well over 18, I was nervous seeing the “No minors” sign to the beer gardens. In the end, I just stealthily walked behind a mom with her kid into the all ages section of the hall.
Since I went alone to the concert, I got there and tried to scope out the best place to stand. There wasn’t a lot of people yet so I tried to get as close as possible. When I looked around, I found one of my family friends! He was really surprised that I liked Coheed and Cambria. He couldn’t process the fact that he had a “cool cousin.”
So I talked to him and his girlfriend for a bit but then I saw one of my friends from university walk by and I joined him instead. I was relieved I found one of my friends because I secretly wanted a mosh pit shield. He was also good company and we bonded over Coheed and reminscing about university since we were both graduated.
The doors opened at 18:30 but the first act didn’t start until 19:30. It was a band from Ontario, Crown Lands. They were pretty good! It was just a duo (I was instantly reminded of The White Stripes but their sound is completely different). The guitarist had the longest hair and beard I had ever seen. When he busted out his double-necked guitar, he looked like a guitar Jesus.
The next act was Protest the Hero. I’ve heard a lot of praise for Protest the Hero from one of my friends. I’ve listened to a couple of their songs and I really like Without Prejudice. Otherwise, I wouldn’t say I’m a fan even though I recognize that they are pretty good.
The vocalist was hilarious. In between songs he would tell stories about past concerts they played at Calgary. I think that’s a really great way to connect to audiences. People like being remembered! Anyway, they were phenomenal. The band is pretty intense so there was mosh pits every single song. I was in a place right where the mosh pits kept forming and I did get pushed around a couple of times. Whoops.
When I saw Claudio and his full head of hair, I freaked out. The fog machines were kicked up a notch and the lights were shining behind them like they were rock gods descending onto Earth. I will admit, since The Dark Sentencer is a rather new song, I didn’t know it very well but it was amazing to hear.
This is another song that I’m not super familiar with but I had been listening to it a couple days prior to the concert and it was growing on me. I loved hearing the crowd sing along to the chorus. So what? Here we are, juggernaut!
It’s a crime that I haven’t listened to the album In Keeping Secrets of Silent Earth: 3 until this week. There are a lot of good songs on this album. The title track is really good and pretty long, clocking in at eight minutes. Singing along to the chorus made me feel like I was marching into battle especially with my fist pumping into the air.
The guitar break near the end was absolutely legendary. I forgot that it was there in the song so when the chorus started up again I was caught off guard. But it was beautiful.
Unfortunately, I don’t like The Crowing a whole lot. It’s a good song but not really a song I would like to hear live. I prefer really pumped up songs for concerts and this one was a bit too mellow for me. Strangely enough, I think I do like this song better live than on the album.
This is another one of those songs that started to grow on me. The chorus is super catchy. It’s a bit mellow like The Crowing but has enough energy to keep it going. I messed up the chorus though. Since I’m not familiar with the lyrics, I kept saying “yeah” instead of “this” even though I knew it was “this.” I was actually thinking about this exact thing before the concert. I knew I would mess up those exact lyrics, haha.
Good eye, sniper. Now I shoot, you run. This song has a bunch of good lines. It was a feel-good song so much that I danced a bit to this song. There’s no other way to do it. Even though I don’t have much to say about this song, it’s definitely a favourite from the concert.
Before the song started, they played an All Mother sound clip. My friend and I got excited because we thought they would play a song from The Afterman but it didn’t end up happening. So while it was a disappointment, this song made up for it.
When this song started, I literally yelled “Yes!” This is one of my favourite songs. I wish I was a lyric fanatic and then I would have sang along a lot more to this song. I feel sorry for the people who had to hear me mess up the lyrics to the song. Ten Speed, if I must then I must is a line I messed up a lot, haha!
This is a totally underrated song (underrated by me). I did like this song back then but I think this song will be a new favourite. I sang a lot to this song. If it was up to me. I would have figured you out, way before the year clocked out.
Unfortunately, The Color Before the Sun is an album that fell off my radar. I only really liked Here to Mars from this album. So much that I’ve memorized this song. I also heard my friend beside me belt out the chorus every single time.
Claudio introduced these songs as songs he wrote about/for his wife. I never really liked Wake Up much (too cheesy of a love song for me) but it was touching and a good sing-along session (somehow I memorized the lyrics without liking the song). So I was just swaying back and forth listening to Claudio crooning this song.
This song totally was not on my radar. I did not listen to The Color Before the Sun in depth and most of the singles other than Here to Mars didn’t stick with me. I felt like a lot of people just stood there with their heads slightly bobbing to this song. There was one guy up in the front of me who was going crazy to this song. He was dedicated.
AHHHHH. What a good “last song.” Claudio gave up his guitar and just paraded around the stage with his mic. It was so weird seeing Claudio singing without a guitar in his hands. I freaked out during this song. It’s just so good. It made me super hype for the album. Oh pretty angel, swinging from your cable. I fear my dear, the end is near. So run, run, run, run, run, like a son of the gun.
Is it an encore even if everyone knows you can’t end a show without playing that number one signature song? When Claudio came back out, his hair was tied into a ponytail. Then he took out his double-necked guitar and unleashed his hair. My friend was saying how he hoped Claudio would do it and he did.
There is absolutely no words for the performance for this song. It’s literally their trademark song. Every single moment and beat was just pure getting lost in the sheer awesomeness of the song. My neck hurts solely because of this song because I was just headbanging like crazy.
When it was over, I was in disbelief. I didn’t want it to end. It was an hour of bliss and it ended just like that. Being able to groove out to the songs were great. I am a little peeved that they didn’t play ANY songs from The Afterman, especially since that’s my favourite album. That just means I will have to see them again and hope they play it!
Seeing Coheed and Cambria was so surreal. I can’t really believe it happened. When I saw Alexisonfire, I was just so absorbed in seeing them in the flesh. This concert was definitely more about the music and just grooving out even if I didn’t know the songs too well. It just felt great to be surrounded by people who also love Coheed. I’m still salty that they didn’t play a single song from The Afterman because that is my all time favourite album but overall I think they had a good setlist. The band isn’t really known for hyping up crowds or crowd interaction. They really do focus on creating a great atmosphere and a musically oriented show. Which was great.
Would I go see Coheed and Cambria again? Hell yes. I’m super excited for their next album coming out next month, Unheavenly Creatures. The singles they’ve been releasing the past year have been really good and I can’t wait to get my hands on the album.
In the meantime, I need to listen to the rest of Coheed’s discography.
My name is Edel Grace Altares. My programming interests include full stack development and back end development. My languages of choice are Python and Java. Outside of programming I enjoy crocheting, video games, cats, historical fiction, and reading.